Can JUSTB Change K-Pop?
When BAIN came out as gay onstage in LA in April, JUSTB’s members found themselves with something they’d never received before: Industry attention. But is the K-Pop industry ready to accept a group as outspoken as this one?
In his first U.S. tour as a soloist, ONEW chose to meet fans with a surprisingly intimate, stripped back concert.
the rookies
In-depth profiles about leading independent Asian musicians.
Minh Is Just Beginning to Find His Potential
For the past four months, Minh’s music has made gains on streaming services. In his first interview, he reflects on his new EP’s momentum and why he became a self-made musician.
On “Mediocre At Best”, Pluto Koi Is Packing Up His Insecurities
Pluto Koi used to be known as a hopeless romantic. Now he wants you a more complex version of himself.
Yel Is Turning Her Best Memories Into Works of Art
The California-based singer-songwriter makes dreamy, romantic music that is becoming a smash hit on streaming services.

Hikaru Utada’s Science Fiction retrospective, reviewed
Bouncing back after a challenging year, keshi gave a ferocious performance that jolted life back into his second album Requiem.
critically speaking
Essays from the frontlines of K-Pop and beyond.
From Rain to Kai, San and from20: How Male Sexuality Has Evolved in K-Pop
A new generation of male idols are embracing a fluid view of sexuality. It’s a major course correction from years’ past.
NewJeans Was the Future of K-Pop. Can KATSEYE Revolutionize That Vision?
A year ago, HYBE’s flagship girl group NewJeans declared war on the company. Now, a new girl group is looking to conceptualize HYBE’s vision for K-Pop without the “K”.
BoA in Japan: Soft Powers and Teenage Dreams
In 2001, BoA was the first of her kind: a K-Pop star landing number one’s in Japan. Her success transformed K-Pop into a global super power.
Essential reading from the API music scene
infinite scroll

You’re Witnessing the Rise of G. Nine
After years of experimentation, the Korean singer-songwriter has found his place in music. But he says, “I'm not entirely satisfied with where I am right now. I know there's more to explore and accomplish as an artist.”

Meet The Rising Stars Class of 2023
A look back at some of the most promising artists profiled on Bias Wrecker this year.

The Best Independent Releases of 2023
Ten albums or tracks that come from the bold vision of independent artists featured on Bias Wrecker in 2023.

For Bobo.Xx’s First Show at the Forum, He Painted a Constellation
“My mentality now is I wanna show everyone what I can do, break boundaries and conquer those new challenges for future generations to be even better than I am,” the rock star says following his opening slot for The Rose.

On Validating Sulli’s Pain
In the two part special “Persona: Sulli”, the late singer discusses in harrowing detail the trauma she experienced in the public eye.

On “Smile! You’re On Camera”, Juju B. Goode Chooses Adventure
The singer-songwriter and producer’s debut album reinterprets K-Pop from his childhood, and defies categorization.

No, Seunghan Shouldn’t Apologize.
The idol cited a heavy mental burden and sense of responsibility as the reason for his departure. But he shouldn’t have to leave.

Eric Nam and The Rose’s Dueling Perspectives
On a dual track to artisitc freedom, Eric Nam and The Rose release two imaginative new albums.

Outsiders in K-Pop? WayV Relishes in the Freedom
Chinese idols rarely find the same success as their Korean counterparts. With “On My Youth”, WayV navigate their own lane.

ZEROBASEONE Inch Closer to Superstardom on “Melting Point”
Boys Planet was a pop culture phenomenon. Can ZB1 build momentum with “Melting Point”?

The Thrilling Return of Taemin
“Guilty” is Taemin’s first EP since returning from the military. He’s as daring as ever — and has much more to say.

jason chu’s Music Is For the Next Generation
Rapper and activist jason chu creates music that explores Asian American history and identity. “I’m very aware of where I stand in history,” he says in this interview.

Amber Liu Announces “No More Sad Songs” 2024 Tour
Amber Liu’s tour is her first in North America in nearly three years and supports new music.

On “I’VE MINE”, IVE Invite Us Into Their World
IVE experiment with new sounds and reveal, just slightly, a more authentic side of themselves.

Does North American Success Matter For TOMORROW X TOGETHER?
After two big attempts for North American success with mixed results, TOMORROW X TOGETHER move to new career heights.

“WHO’S NEXT” Proves BNZA is MVP
The single is BNZA’s third this year, and accelerates his moves as one of the best rising musicians in Canada.

HOHYUN Wants You to Know You’re Not Alone
HOHYUN was plagued by self-doubt for years. “But I’ve realized when you feel like giving up, it's the most important time to not give up,” he says in this interview.
Townewest’s Bittersweet Summer
On their debut album “before it’s too late”, Townewest want you to relive your best — and worst — summer memories.

Beomhan’s Not Afraid of the Future
In his first interview since becoming an independent artist, the singer reflects on his biggest challenge yet: Believing in himself.

RAIN Announces “THE RAIN 2023 Still Raining” North American Tour
For the first time in sixteen years, the K-Pop superstar will hold two concerts in North America.